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"Holst - The Planet Suite is my all time favourite. Also rather partial to Elgar's Nimrod which never fails to send shivers down my spine. Lots of other popular classical music that I like, although do think it's something I've come to appreciate more as I've aged." Me too, I can't listen to drivel FM anymore, which is any station where the DJ talks more than they play music. About a quarter of our CD collection is classical stuff. S | |||
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"Long standing soft spot for Mozart's Requiem. Elgar's Enigma Variations The Humming Chorus from Puccini's Madam Butterfly The Pearl Fishers Duet - Bizet Too many for my geeky brain to list. " Any Puccini is a good shout S | |||
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"Long standing soft spot for Mozart's Requiem. Elgar's Enigma Variations The Humming Chorus from Puccini's Madam Butterfly The Pearl Fishers Duet - Bizet Too many for my geeky brain to list. " Rex Tremendae is my fave part of Requiem. Haydn and Brahms are good too. | |||
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"The area of classical music is huge and has many categories. To be honest I would not categorise film scores as classical music but as modern orchestral music. There is so much to love but here are a few I like. Nessun Dorma Puccini sung by Pavarotti Faure's Requiem Moonlight Sonata by Beethovan Chopin's nocturnes Rites of Spring by Stravinsky Glenn Gould performance of Bach's Goldberg Variations a favourite of a certain Dr Hannibal Lecter " Some of them still bring me out wet sparks in my eyes... | |||
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"Oh... I'm not sure. I really like baroque pieces and composers - so Bach's Double Violin Concerto and his Partita No.2 is probably up there. Tartini's Devil Trill is one of the most satisfying to play and listen to. I also love Bruch's Violin Concerto No.1 and I am also fond Ysaye's Sonatas. With regards to film soundtracks - Philip Glass has composed some incredible, iconic ones. I think I'll stop there before I bore everyone." They are a bit dated film wise now, but the Qatsi trilogy are still quite powerful bits of film if your head is in the right place They are also my favorite Glass works. Favorite film theme for me has to be Road To Perdition. S | |||
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"Ride of the Valkyries - Wagner" Better seen live, methinks | |||
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"Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh.... " Has to be Elgar's Cello Concerto for me ELGAR CELLO CONCERTO, JACQUELINE DU PRE https://www.youtube.com/watch?v=UUgdbqt2ON0 | |||
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"Ride of the Valkyries - Wagner Better seen live, methinks" methinks they would all be better live | |||
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"Ride of the Valkyries - Wagner Better seen live, methinks methinks they would all be better live" This is true... | |||
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"Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh.... Has to be Elgar's Cello Concerto for me ELGAR CELLO CONCERTO, JACQUELINE DU PRE https://www.youtube.com/watch?v=UUgdbqt2ON0" Nah. | |||
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"Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh.... Has to be Elgar's Cello Concerto for me ELGAR CELLO CONCERTO, JACQUELINE DU PRE https://www.youtube.com/watch?v=UUgdbqt2ON0" Joe.......... ahem.....so tell me why Elgar never make it onto the Voyager space craft gold disc "Music From Earth" Eh! ..... tell me that..... Or should I tell you, well It's because it is full of Bach.... ha-ha,,,,, I win again..... | |||
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"What a play list we are creating. Classical music performed live is incredible. Id love to go to an Andre Rieu concert." We have a friend in a choir, went to see her locally 50 strong with a twenty odd piece orchestra was good, going to see them join other choral groups so there were around 300 & a full orchestra at the Royal Albert Hall was epic S | |||
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"Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh.... Has to be Elgar's Cello Concerto for me ELGAR CELLO CONCERTO, JACQUELINE DU PRE https://www.youtube.com/watch?v=UUgdbqt2ON0" *shudders at the memory of grade eight cello* I now loathe this piece despite it being the one that made me pick the damn instrument up in the first place. | |||
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"Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh.... Has to be Elgar's Cello Concerto for me ELGAR CELLO CONCERTO, JACQUELINE DU PRE https://www.youtube.com/watch?v=UUgdbqt2ON0 *shudders at the memory of grade eight cello* I now loathe this piece despite it being the one that made me pick the damn instrument up in the first place. " I don;t play; I listen | |||
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" Camille Saint-Saëns - Danse Macabre www.youtube.com/watch?v=YyknBTm_YyM" Plus pretty much anything by Bach. I find it difficult to listen to a good piece classical music whilst working though, they're mentally distracting. Akin to someone reading out a series of numbers or sums. | |||
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"Bach Double Violin Concerto - Yehudi Menuhin And David Oistrakh.... Has to be Elgar's Cello Concerto for me ELGAR CELLO CONCERTO, JACQUELINE DU PRE https://www.youtube.com/watch?v=UUgdbqt2ON0 *shudders at the memory of grade eight cello* I now loathe this piece despite it being the one that made me pick the damn instrument up in the first place. " Should have played the drums and had more fun | |||
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"Tchaikovsky is my fav, love both swan lake and the nutcracker i should listen to more and learn the names of the ones i like i find them inspiring" Reminds me of a favourite story about Madness...they "covered" Swan Lake on their first album...Dave Robinson head of their record label heard them rehearsing it and asked them if they'd written it themselves!! | |||
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"Quite interesting the comments about not including film scores in to the genre of classical musical. The film scores of Walton, Shostakovich, Korngold are firmly established as classical works of music, so why not those of Williams, Silvestri, Zimmer, Horner? " Probably on the basis that just because a piece of music is orchestrated and is melodious does not make classical. In the same way as adding a saxophone or Jamie Cullem to a song does not make it jazz. Puts on tin hat and heads for the fab bombproof bunker with a cup of tea and a wagon wheel. | |||
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"Quite interesting the comments about not including film scores in to the genre of classical musical. The film scores of Walton, Shostakovich, Korngold are firmly established as classical works of music, so why not those of Williams, Silvestri, Zimmer, Horner? Probably on the basis that just because a piece of music is orchestrated and is melodious does not make classical. In the same way as adding a saxophone or Jamie Cullem to a song does not make it jazz. Puts on tin hat and heads for the fab bombproof bunker with a cup of tea and a wagon wheel." What makes it classical? | |||
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"Film composer wise, Hans Zimmer or Danny Elfman." Same here. Otherwise it's not my bag. | |||
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"Quite interesting the comments about not including film scores in to the genre of classical musical. The film scores of Walton, Shostakovich, Korngold are firmly established as classical works of music, so why not those of Williams, Silvestri, Zimmer, Horner? Probably on the basis that just because a piece of music is orchestrated and is melodious does not make classical. In the same way as adding a saxophone or Jamie Cullem to a song does not make it jazz. Puts on tin hat and heads for the fab bombproof bunker with a cup of tea and a wagon wheel. What makes it classical? " Technically 'Classical' is period of time when the music was composed in comparison to say'Baroque'. From Wikipedia 'Classical music is art music produced or rooted in the traditions of Western music, including both liturgical and secular music. While a more accurate term is also used to refer to the period from 1750 to 1820,...'. But I think you are asking what makes one piece of music Classical and another not. My suggestion is at the time the piece of music was composed it showed advanced technicality, complexity (although sounding simple in some cases), emotion and development in the way music was composed. Hence Philip Glass now falls under the classical canon. Many film scores although easy on the ear contain no development, or technical complexity or development. Which is not to say they are not enjoyable. I like smooth jazz but is it Jazz, no! | |||
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"Quite interesting the comments about not including film scores in to the genre of classical musical. The film scores of Walton, Shostakovich, Korngold are firmly established as classical works of music, so why not those of Williams, Silvestri, Zimmer, Horner? Probably on the basis that just because a piece of music is orchestrated and is melodious does not make classical. In the same way as adding a saxophone or Jamie Cullem to a song does not make it jazz. Puts on tin hat and heads for the fab bombproof bunker with a cup of tea and a wagon wheel." The point being the film scores of the likes of Williams, Zimmer etc. are most definitely far more than a few tunes strung together and arranged for an orchestra. | |||
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