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"It's just two nights out of a run of thirty that are being dedicated to a black audience in a play that investigates themes about being black and the exploitation of black people. I think it's a great idea. And it's certainly great press." Hmm, but would you feel the same if it was two nights dedicated to white peoples only? Only 2 nights out of 30, so that's ok? That is my issue with it - it feels "othering" of people. MrsAbz | |||
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"It's just two nights out of a run of thirty that are being dedicated to a black audience in a play that investigates themes about being black and the exploitation of black people. I think it's a great idea. And it's certainly great press." I'm potentially in support, though I'm somewhat uncomfortable about discrimination | |||
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"It's just two nights out of a run of thirty that are being dedicated to a black audience in a play that investigates themes about being black and the exploitation of black people. I think it's a great idea. And it's certainly great press. Hmm, but would you feel the same if it was two nights dedicated to white peoples only? Only 2 nights out of 30, so that's ok? That is my issue with it - it feels "othering" of people. MrsAbz" It's not about white people though. The comparison isn't apple's to apples. I also think that as the artist has VERY successfully put a conversation about race into the public sphere in a very clever way. | |||
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"Isnt it the white people who need the education? " I need educating what a "white gaze" actually is. The idea of having a black only night doesn't bother me, as someone else said it's only two nights out of thirty and maybe there's some good intent behind it (or an effective publicity stunt). It just don't get why it specifically mentions being free from the "white gaze" instead free from the non-black gaze (I'm assuming that Asians and other ethnicities can't identify as being black for the purposes of attending). | |||
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