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"So you're saying other than a semi tone of difference,... You're female? " Exactly that... ladies have a hole-tone I've only a semi | |||
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"If I am playing the Dorian Scale but I don't flatten the 7th degree of the scale, what is the scale called? So, it's basically a Major Scale but with a flattened 3rd only. I tried looking it up but I couldn't find any immediate answers. Anyone know anything? So if I've understood your question correctly instead of playing say the C Dorian Mode where traditionally you are playing: C D Eb F G A Bb C You are instead playing the B instead of the Bb so in effect you are now playing: C D Eb F G A B C I've always know that scale as the Melodic Minor Scale Hope that helps! " Yes!! That's the one!! Brilliant thank you!! | |||
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"If I am playing the Dorian Scale but I don't flatten the 7th degree of the scale, what is the scale called? So, it's basically a Major Scale but with a flattened 3rd only. I tried looking it up but I couldn't find any immediate answers. Anyone know anything?" G flat, f sharp | |||
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"If I am playing the Dorian Scale but I don't flatten the 7th degree of the scale, what is the scale called? So, it's basically a Major Scale but with a flattened 3rd only. I tried looking it up but I couldn't find any immediate answers. Anyone know anything? G flat, f sharp " Didn't know we had our very own Mozart right here in the forums | |||
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"If I am playing the Dorian Scale but I don't flatten the 7th degree of the scale, what is the scale called? So, it's basically a Major Scale but with a flattened 3rd only. I tried looking it up but I couldn't find any immediate answers. Anyone know anything? So if I've understood your question correctly instead of playing say the C Dorian Mode where traditionally you are playing: C D Eb F G A Bb C You are instead playing the B instead of the Bb so in effect you are now playing: C D Eb F G A B C I've always know that scale as the Melodic Minor Scale Hope that helps! Yes!! That's the one!! Brilliant thank you!! " Not quite I'm afraid. There are three types of minor scales: Harmonic, melodic and natural. Unlike harmonic and natural, the melodic minor scale is different in the way up to on the way down. On the way down it's a natural minor scale. On the way up it's really a Dorian mode with a sharpened 7th as you described. That's the one you're playing but I'm not sure it has a name. I'd just call it Dorian #7. I suppose you could call it a melodic up scale but that sounds silly. I've got a couple of music encyclopaedias here. I'll take a look and see if I can find a proper name for it. | |||
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"If I am playing the Dorian Scale but I don't flatten the 7th degree of the scale, what is the scale called? So, it's basically a Major Scale but with a flattened 3rd only. I tried looking it up but I couldn't find any immediate answers. Anyone know anything? So if I've understood your question correctly instead of playing say the C Dorian Mode where traditionally you are playing: C D Eb F G A Bb C You are instead playing the B instead of the Bb so in effect you are now playing: C D Eb F G A B C I've always know that scale as the Melodic Minor Scale Hope that helps! Yes!! That's the one!! Brilliant thank you!! Not quite I'm afraid. There are three types of minor scales: Harmonic, melodic and natural. Unlike harmonic and natural, the melodic minor scale is different in the way up to on the way down. On the way down it's a natural minor scale. On the way up it's really a Dorian mode with a sharpened 7th as you described. That's the one you're playing but I'm not sure it has a name. I'd just call it Dorian #7. I suppose you could call it a melodic up scale but that sounds silly. I've got a couple of music encyclopaedias here. I'll take a look and see if I can find a proper name for it. " You could also call it a harmonic minor with a sharpened 6th. | |||
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"Or call it by it's name ..... Mixolydian scale." It's not mixolydian though. That doesn't have a sharpened 7th. | |||
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"Also, how smart is Granny Crumpets?" Apparently ..... not very | |||
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"If you're playing a Dorian scale but you don't flatten the 7th degree, you are essentially playing a Mixolydian scale. The Dorian scale is characterized by a flat 3rd and a natural 7th compared to the major scale. So, in the key of C, a C Dorian scale would have the notes: C, D, E?, F, G, A, B?, C. However, if you keep the 7th degree as a natural B instead of flattening it to B?, you get the notes C, D, E?, F, G, A, B, C, which is the C Mixolydian scale. So, to summarize, not flattening the 7th degree in the Dorian scale turns it into the Mixolydian scale." But Mixolydian has a major 3rd not minor, doesn't it? She's playing a minor third because it's Dorian. | |||
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"FROM A JAZZ WEBSITE The Mixolydian mode is a favorite of blues artists. It's flat-7th scale degree makes the resolution always feel a bit unsettled. Scale ( C Mixolydian): C - D - E - F - G - A - Bb - C." Exactly. C-E is a major third. The scale being asked about has a minor third. | |||
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"FROM A JAZZ WEBSITE The Mixolydian mode is a favorite of blues artists. It's flat-7th scale degree makes the resolution always feel a bit unsettled. Scale ( C Mixolydian): C - D - E - F - G - A - Bb - C. Exactly. C-E is a major third. The scale being asked about has a minor third. " She's playing (when transposed) C D Eb F G A B C That's not Mixolydian. | |||
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"FROM A JAZZ WEBSITE The Mixolydian mode is a favorite of blues artists. It's flat-7th scale degree makes the resolution always feel a bit unsettled. Scale ( C Mixolydian): C - D - E - F - G - A - Bb - C." I could have told you that | |||
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"You are right " Not you grumpy - 2 part harmony | |||
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"Mixolydian scale." It's not the Mixolydian scale, that has a flattened 7th | |||
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"FROM A JAZZ WEBSITE The Mixolydian mode is a favorite of blues artists. It's flat-7th scale degree makes the resolution always feel a bit unsettled. Scale ( C Mixolydian): C - D - E - F - G - A - Bb - C. I could have told you that " But you didn't spot the undeliberate error so get back in your box | |||
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"Mixolydian scale. It's not the Mixolydian scale, that has a flattened 7th " But you didn't flatten the 7th | |||
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"You are right " Thank goodness for that. I thought we might have to settle this with a naked mud wrestle. | |||
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"If I am playing the Dorian Scale but I don't flatten the 7th degree of the scale, what is the scale called? So, it's basically a Major Scale but with a flattened 3rd only. I tried looking it up but I couldn't find any immediate answers. Anyone know anything? So if I've understood your question correctly instead of playing say the C Dorian Mode where traditionally you are playing: C D Eb F G A Bb C You are instead playing the B instead of the Bb so in effect you are now playing: C D Eb F G A B C I've always know that scale as the Melodic Minor Scale Hope that helps! Yes!! That's the one!! Brilliant thank you!! Not quite I'm afraid. There are three types of minor scales: Harmonic, melodic and natural. Unlike harmonic and natural, the melodic minor scale is different in the way up to on the way down. On the way down it's a natural minor scale. On the way up it's really a Dorian mode with a sharpened 7th as you described. That's the one you're playing but I'm not sure it has a name. I'd just call it Dorian #7. I suppose you could call it a melodic up scale but that sounds silly. I've got a couple of music encyclopaedias here. I'll take a look and see if I can find a proper name for it. " Dorian #7 is what I was typing to google, but that didn't much help. The scale will have a name. I understand that with the melodic minor you descend in the aeolian scale but I figured there's no harm in descending in the melodic scale | |||
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"I'm going for Dorian Beebop " No I take that back | |||
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"Mixolydian scale. It's not the Mixolydian scale, that has a flattened 7th But you didn't flatten the 7th" Exactly... Flat 3 and flat 7 is Dorian mode Flat 7 is mixolydian the scale I was playing has a flat 3 but no flat 7 | |||
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"Maybe it’s the D# Lydian augmented " Or could be C melodic minor or B finished whole tone - they are the same according to Genie AI | |||
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"Maybe it’s the D# Lydian augmented Or could be C melodic minor or B finished whole tone - they are the same according to Genie AI " It's not really the melodic minor as explained above. As for B finished whole tone, I don't think that works. A whole tone scale only has six notes. | |||
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"I found a name for it! Jazz minor scale https://en.m.wikipedia.org/wiki/Jazz_minor_scale Other options are: Major b3 Harmonic minor #6 Melodic minor up Dorian #7 " Hey that's awesome!! Thank you Jazz Minor - that's a new one to me. I'd written this chord progression and it was bugging the crap out of me trying to find the scale that worked with it... | |||
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"I found a name for it! Jazz minor scale https://en.m.wikipedia.org/wiki/Jazz_minor_scale Other options are: Major b3 Harmonic minor #6 Melodic minor up Dorian #7 Hey that's awesome!! Thank you Jazz Minor - that's a new one to me. I'd written this chord progression and it was bugging the crap out of me trying to find the scale that worked with it... " My pleasure. Do you need a single scale to work over a whole chord sequence? That would be unusual. | |||
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"I found a name for it! Jazz minor scale https://en.m.wikipedia.org/wiki/Jazz_minor_scale Other options are: Major b3 Harmonic minor #6 Melodic minor up Dorian #7 Hey that's awesome!! Thank you Jazz Minor - that's a new one to me. I'd written this chord progression and it was bugging the crap out of me trying to find the scale that worked with it... My pleasure. Do you need a single scale to work over a whole chord sequence? That would be unusual. " Really, I'd have thought it was quite commonplace to write your chords and have a corresponding scale that neatly fits over the top... but I guess this is also dependant on the complexity of the progression... So far I had been getting away with alternating between CMaj and AbMaj half way through the progression | |||
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"I found a name for it! Jazz minor scale https://en.m.wikipedia.org/wiki/Jazz_minor_scale Other options are: Major b3 Harmonic minor #6 Melodic minor up Dorian #7 Hey that's awesome!! Thank you Jazz Minor - that's a new one to me. I'd written this chord progression and it was bugging the crap out of me trying to find the scale that worked with it... My pleasure. Do you need a single scale to work over a whole chord sequence? That would be unusual. Really, I'd have thought it was quite commonplace to write your chords and have a corresponding scale that neatly fits over the top... but I guess this is also dependant on the complexity of the progression... So far I had been getting away with alternating between CMaj and AbMaj half way through the progression " The usual thing to do would be to have at least one scale in mind for each chord (unless there are passing chords). The scales may share the same notes but you would think of them as individual scales because you orientate your playing around the chord tones, and they change with each chord of course. | |||
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