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" always somehow reminded me of walking through deserted city streets in the early hours of the morning." with a big boombox on your shoulder ? | |||
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" always somehow reminded me of walking through deserted city streets in the early hours of the morning. with a big boombox on your shoulder ?" Burial is the kind of artist where you put your headphones on and reflect on your surroundings. | |||
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"Burial’s album came out before dubstep became a well defined genre. It’s a shame because at the beginning dubstep showed a lot of potential, nowadays most of it is generic shite with that standardised trick of modulating the LFO sync ratio on a distorted jump up bass noise over halftime 140 BPM beats. I actually really enjoyed burials stuff, obviously it wouldn’t be great at a rave but it was amazing come down music and always somehow reminded me of walking through deserted city streets in the early hours of the morning." I should imagine dubstep evolved from it's parent genre like how house evolved from disco music. Originally before house music early djs were experimenting with outdated synths and creating bootlegs of their fav disco records combining gospal to it until eventually set genres were defined. I should imagine dubstep evolved a similar way. | |||
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" always somehow reminded me of walking through deserted city streets in the early hours of the morning. with a big boombox on your shoulder ?" No with the music from earlier in the night looping in your head because you did to many pills. Burial isn’t really boom box music it’s really atmospheric. You need a nice clean sound with a good amount of bass. | |||
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" always somehow reminded me of walking through deserted city streets in the early hours of the morning. with a big boombox on your shoulder ? Burial is the kind of artist where you put your headphones on and reflect on your surroundings." Totally agreed, it’s highly atmospheric rather than just jump up noises over a halftime 140bpm beat. | |||
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"Burial’s album came out before dubstep became a well defined genre. It’s a shame because at the beginning dubstep showed a lot of potential, nowadays most of it is generic shite with that standardised trick of modulating the LFO sync ratio on a distorted jump up bass noise over halftime 140 BPM beats. I actually really enjoyed burials stuff, obviously it wouldn’t be great at a rave but it was amazing come down music and always somehow reminded me of walking through deserted city streets in the early hours of the morning. I should imagine dubstep evolved from it's parent genre like how house evolved from disco music. Originally before house music early djs were experimenting with outdated synths and creating bootlegs of their fav disco records combining gospal to it until eventually set genres were defined. I should imagine dubstep evolved a similar way. " When dubstep first came out it was very diverse. Basically anything that was bass heavy, the right tempo and didn’t fit into a pre-existing genre could be labelled dubstep. Nowadays it’s a very defined sound and no where near as interesting. | |||
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"I liked Mala and digital Mystikz... Never really listened to Burial much I think what most people think of as DubStep now would be better described as BroStep (that's the Skrillex sound)" He has a new Album out. It's very minimilist and unlike 2010 stuff. | |||
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