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"Put a twist in it! Bend your torso, turn to look behind you, touch your foot, put your arm behind your head, cross your legs, kneel and squat - my god anything but straight up and down. If you're stuck for a pose do Rodin's thinker Will it be one long pose for the whole session, various short ones, a combination? Go for the more challenging poses for the 1-15mins ones and choose something you can maintain without too much strain for the 20+ ones. Amazing you have followed through with your intention, enjoy!" Everything I have read says that if you twist then it is hard to hold the pose for a long time. On the other hand I think artists like poses with a lot of asymmetry. I really need to find out what they want from their models I think. | |||
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"Put a twist in it! Bend your torso, turn to look behind you, touch your foot, put your arm behind your head, cross your legs, kneel and squat - my god anything but straight up and down. If you're stuck for a pose do Rodin's thinker Will it be one long pose for the whole session, various short ones, a combination? Go for the more challenging poses for the 1-15mins ones and choose something you can maintain without too much strain for the 20+ ones. Amazing you have followed through with your intention, enjoy! Everything I have read says that if you twist then it is hard to hold the pose for a long time. On the other hand I think artists like poses with a lot of asymmetry. I really need to find out what they want from their models I think. " You will have people on all sides - they will move to find the angle/perspective that they want | |||
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"Put a twist in it! Bend your torso, turn to look behind you, touch your foot, put your arm behind your head, cross your legs, kneel and squat - my god anything but straight up and down. If you're stuck for a pose do Rodin's thinker Will it be one long pose for the whole session, various short ones, a combination? Go for the more challenging poses for the 1-15mins ones and choose something you can maintain without too much strain for the 20+ ones. Amazing you have followed through with your intention, enjoy! Everything I have read says that if you twist then it is hard to hold the pose for a long time. On the other hand I think artists like poses with a lot of asymmetry. I really need to find out what they want from their models I think. You will have people on all sides - they will move to find the angle/perspective that they want " Unfortunately at least in the sessions I've been to the space didn't allow moving about (small rooms). So once you're sat it's up the model&the coordinator to give everyone an interesting view, at some point at least. Yes poses with torque are hard to hold. IMO though I prefer a model who is wobbly at an interesting pose than one in a stable pose that is just lying/standing there. Though perhaps a more accomplished drawer/painter than I would value continuity more. An interesting pose doesn't have to be extreme! Eg. Your pic 30 May 2021 is a simple example - one leg straight one bent, one shoulder lowered as you turn to look down, the light does the rest, enough to draw there. But anything less and it's ZzzzzZz (though even then people will move to practising details, so bring on that hard on haha). | |||
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"Put a twist in it! Bend your torso, turn to look behind you, touch your foot, put your arm behind your head, cross your legs, kneel and squat - my god anything but straight up and down. If you're stuck for a pose do Rodin's thinker Will it be one long pose for the whole session, various short ones, a combination? Go for the more challenging poses for the 1-15mins ones and choose something you can maintain without too much strain for the 20+ ones. Amazing you have followed through with your intention, enjoy! Everything I have read says that if you twist then it is hard to hold the pose for a long time. On the other hand I think artists like poses with a lot of asymmetry. I really need to find out what they want from their models I think. You will have people on all sides - they will move to find the angle/perspective that they want Unfortunately at least in the sessions I've been to the space didn't allow moving about (small rooms). lol So once you're sat it's up the model&the coordinator to give everyone an interesting view, at some point at least. Yes poses with torque are hard to hold. IMO though I prefer a model who is wobbly at an interesting pose than one in a stable pose that is just lying/standing there. Though perhaps a more accomplished drawer/painter than I would value continuity more. An interesting pose doesn't have to be extreme! Eg. Your pic 30 May 2021 is a simple example - one leg straight one bent, one shoulder lowered as you turn to look down, the light does the rest, enough to draw there. But anything less and it's ZzzzzZz (though even then people will move to practising details, so bring on that hard on haha)." That May pic was actually taken from a video where I was trying to get a comfortable shot which is why I guess it works because it is natural. I will have a practice in front of the mirror this week to see how long I can hold a “torguey” pose. I am sure that I will get a hard on at some point for the “detail” work. I will just try and brazen that out though and just pretend it is nothing | |||
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" I am sure that I will get a hard on at some point for the “detail” work. I will just try and brazen that out though and just pretend it is nothing " I have never seen a statue or a nude portrait in an art gallery with an erection | |||
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"Put a twist in it! Bend your torso, turn to look behind you, touch your foot, put your arm behind your head, cross your legs, kneel and squat - my god anything but straight up and down. If you're stuck for a pose do Rodin's thinker Will it be one long pose for the whole session, various short ones, a combination? Go for the more challenging poses for the 1-15mins ones and choose something you can maintain without too much strain for the 20+ ones. Amazing you have followed through with your intention, enjoy! Everything I have read says that if you twist then it is hard to hold the pose for a long time. On the other hand I think artists like poses with a lot of asymmetry. I really need to find out what they want from their models I think. You will have people on all sides - they will move to find the angle/perspective that they want Unfortunately at least in the sessions I've been to the space didn't allow moving about (small rooms). lol So once you're sat it's up the model&the coordinator to give everyone an interesting view, at some point at least. Yes poses with torque are hard to hold. IMO though I prefer a model who is wobbly at an interesting pose than one in a stable pose that is just lying/standing there. Though perhaps a more accomplished drawer/painter than I would value continuity more. An interesting pose doesn't have to be extreme! Eg. Your pic 30 May 2021 is a simple example - one leg straight one bent, one shoulder lowered as you turn to look down, the light does the rest, enough to draw there. But anything less and it's ZzzzzZz (though even then people will move to practising details, so bring on that hard on haha). That May pic was actually taken from a video where I was trying to get a comfortable shot which is why I guess it works because it is natural. I will have a practice in front of the mirror this week to see how long I can hold a “torguey” pose. I am sure that I will get a hard on at some point for the “detail” work. I will just try and brazen that out though and just pretend it is nothing " you may get a hard on when they come to set your position for example they may move your cock in a certain position for good light | |||
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"you may get a hard on when they come to set your position for example they may move your cock in a certain position for good light " I don’t think that is quite how it works … | |||
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"I got pretty ill with the Christmas flu just before my first session and had to cancel. Have finally recovered and got my first session (properly) on Thursday. Will see how it goes " Good luck OP. | |||
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"I got a dressing gown and I am not really worried about a stiffy - it is staying in pose without moving I am still most worried about." Unless you find people staring at you trying to draw you as kinky, you definitely won't get a hard on. I never met any life drawing model with a hard on. It's very professional environment, I don't think sex will be the first or last thing on your mind. Most models just relax and go in a day like dream. But keeping still is imperative! Lol | |||
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"I have been practicing holding poses. It is only an intro session as they know I haven’t posed before and they have another model already there so I will just be watching and doing some practice poses." Wish you all the best then. Just go in with the right mind set. It's not a sexual environment. | |||
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"I have been practicing holding poses. It is only an intro session as they know I haven’t posed before and they have another model already there so I will just be watching and doing some practice poses. Wish you all the best then. Just go in with the right mind set. It's not a sexual environment. " totally agree. | |||
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"What is life modelling ? Is it being a still subject for artists to draw / paint ? What interests you to do this ? Is it financial or thrill of it ? Do you talk to the artists ? " This is being a still subject for a grouping artists to draw. Why do it? I am curious to see what it is like to be drawn naked. It is one of those things that is a little scary and I think it is good to face into your fears. I don’t think the money will be very much and there is no thrill - other than not being too scared! It is _not_ a sexual thing. | |||
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"What is life modelling ? Is it being a still subject for artists to draw / paint ? What interests you to do this ? Is it financial or thrill of it ? Do you talk to the artists ? I do portraits and glamour (photography) sometimes we go for photo walks and talk about the subject, their life, challenges, dreams etc while I shoot , I use silent shutter mode and shoot fast like film, sometimes we make a character for the camera , friend , enemy , lover etc and play into that . Doubt any of this applies to what you’re doing LOL Have fun or don’t do it is what what I say to subjects " No it not the same environment. The life drawing is there to serve the purpose of an artist to draw a live still life figure. Some of the models do enjoy chatting to the artists and take photos of their work for their portfolios or own interest as some drawings can be so beautiful. But I wouldn't want a model who is uncomfortable or sees it as an sexual experience as it would be super off putting. Usually they are not asked back if they get a hard on. Tbf it takes so much concentration to keep still, I doubt getting a hard on would be possible unless they came in with the wrong mindset. As artists pay for the session and do want to get great artwork out of the session. So someone who continues to fidget or looks uncomfortable is not want an artist wants. However, the more interesting looking the person is, the better. We once had an very gender neutral young lady with lots of tattoos and quirky hair cut model once. I loved drawing her curves and style. | |||
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"What is life modelling ? Is it being a still subject for artists to draw / paint ? What interests you to do this ? Is it financial or thrill of it ? Do you talk to the artists ? I do portraits and glamour (photography) sometimes we go for photo walks and talk about the subject, their life, challenges, dreams etc while I shoot , I use silent shutter mode and shoot fast like film, sometimes we make a character for the camera , friend , enemy , lover etc and play into that . Doubt any of this applies to what you’re doing LOL Have fun or don’t do it is what what I say to subjects " mostly life drawing scenarios are quite different; for a start there's a bunch of people drawing you and they want to concentrate, so not much conversation going on. different if its one 2 one and the model/artist relationship is different. OP...no-one will get cross if you have to stretch out a limb occasionally, just try to give them a warning | |||
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"Please let us all know how it goes.. I too would love to get into life modelling. I've no problem being naked in front of anybody...I'd go naked 24/7 if it was socially acceptable. " Yes being a naturist helps but most importantly is able to keep a pose for a length of time without fidgeting. The longest pose I drawn was 25 minutes so far. I prefer the longer poses. | |||
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"What is life modelling ? Is it being a still subject for artists to draw / paint ? What interests you to do this ? Is it financial or thrill of it ? Do you talk to the artists ? This is being a still subject for a grouping artists to draw. Why do it? I am curious to see what it is like to be drawn naked. It is one of those things that is a little scary and I think it is good to face into your fears. I don’t think the money will be very much and there is no thrill - other than not being too scared! It is _not_ a sexual thing." Very brave , I hate being stared at , so invasive & could never do it | |||
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"Make sure you are CLEAN and washed *thoroughly* everywhere before entering the studio, because no one needs to smell you as they are drawing/painting. " Lessons learned log ? | |||
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"Make sure you are CLEAN and washed *thoroughly* everywhere before entering the studio, because no one needs to smell you as they are drawing/painting. Lessons learned log ? " I was wondering that too | |||
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"Just finished the session - that was _SO_ much fun. More than slightly nervous when I walked onto the stage in my gown and saw a dozen or so people waiting for me to pose but the second I got naked and started to think through a pose all the nerves disappeared. Everyone was super kind and time just flew. They have also just asked me back " That sounds great! Did you get to see any of the drawings at all? | |||
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"Just finished the session - that was _SO_ much fun. More than slightly nervous when I walked onto the stage in my gown and saw a dozen or so people waiting for me to pose but the second I got naked and started to think through a pose all the nerves disappeared. Everyone was super kind and time just flew. They have also just asked me back That sounds great! Did you get to see any of the drawings at all?" I did. There were some excellent ones. And some ….. not so excellent ones Really interesting to see how people could just use shade and tone to create a picture. I am in awe. | |||
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